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The four large colour compositions are of memories that my sister and I have held as defining moments in our childhood. In most cases they were not observed by adults so remained quietly ours, a private possession. Read the review. | ||
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The monochrome paintings use the naked linen surface and the bright white of gesso to convey passive aggression, using notions of growth, intrusion and loss as ideas for composition. As the paintings developed they became softer and more fanciful with lines that show a spirit and grace, even optimism.
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